إيقونة إختصار - translation to Αγγλικά
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إيقونة إختصار - translation to Αγγλικά

RELIGIOUS WORK OF ART, GENERALLY A PANEL PAINTING, IN EASTERN CHRISTIANITY
Icon (religion); Icons; Iconized; Iconify; Religious Icons; Icon painting; Icon (art); Icons: the Eastern Orthodox view; Eastern Orthodox Icons; Iquna; إيقونة; Religious icons; Religious icon; Icons in Eastern Orthodoxy; Icons: the Eastern Orthodox Christian view; Christian icons; Eastern Orthodox icons; Icon image file; Icon painter; Eastern Orthodox iconography; Depiction of God; Orthodox iconography; Holy icons; Byzantine iconography; Orthodox icon
  • Saint Arethas]] (Byzantine, 10th century)
  • Luke painting the [[Theotokos of Vladimir]] (16th century, [[Pskov]])
  • ''The Last Judgement'' by [[Nehmatallah Hovsep]] (1703), one of the most famous icons of the [[Aleppo School]].<ref>[http://digitool.rpi.edu:8881/R/N8528GC7E21FNNIF84NBC5NH4V5A7KIFB8I15TXRSVYSDBHTSY-00188?func=dbin-jump-full&object_id=27944&local_base=GEN01&pds_handle=GUEST 	Cathedral of the Forty Martyrs: fresco of the Last Judgement] (Rensselaer Digital Collections).</ref>
  • 12th-century icon of [[Archangel Gabriel]] from [[Novgorod]], called ''[[The Angel with Golden Hair]]'', currently exhibited in the [[State Russian Museum]].
  • Coptic icon]] from [[Egypt]] ([[Musée du Louvre]]).
  • 978-617-7031-15-3}}</ref>
  • Palaiologan-era]] [[mannerism]]—the [[Annunciation]] icon from [[Ohrid]] in [[North Macedonia]].
  • 6th century}} ([[Saint Catherine's Monastery]]).
  • 6th century}} ([[Saint Catherine's Monastery]], [[Mount Sinai]]).
  • Ladder of Divine Ascent]]'' depicts monks ascending to [[Jesus]] in heaven in the top right. 12th century, [[Saint Catherine's Monastery]].
  •  Russian icon of the [[Holy Trinity]]
  • Not Made by Hand]]'': a traditional Orthodox [[iconography]] in the interpretation of [[Simon Ushakov]] (1658).
  • [[Trojeručica]] meaning "Three-handed Theotokos", the most important Serb icon.
  • Ethiopian Orthodox painting of the [[Virgin Mary]] nursing the infant Christ

إيقونة إختصار      

short cut

short cut         
WIKIMEDIA DISAMBIGUATION PAGE
Short Cuts (disambiguation); Short Cut (disambiguation)
طريق مختصر إيقونة إختصار .
ICONS         

ألاسم

أَيْقُونَة

Ορισμός

iconify
¦ verb (iconifies, iconifying, iconified) Computing reduce (a window on a VDU screen) to an icon.

Βικιπαίδεια

Icon

An icon (from Ancient Greek εἰκών (eikṓn) 'image, resemblance') is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most of the religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints.

Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal or carved in stone or embroidered on cloth or done in mosaic or fresco work or printed on paper or metal, etc. Comparable images from Western Christianity may be classified as "icons", although "iconic" may also be used to describe the static style of a devotional image. In the Greek language, the term for icon painting uses the same word as for "writing", and Orthodox sources often translate it into English as icon writing.

Eastern Orthodox tradition holds that the production of Christian images dates back to the very early days of Christianity, and that it has been a continuous tradition since then. Modern academic art history considers that, while images may have existed earlier, the tradition can be traced back only as far as the 3rd century, and that the images which survive from Early Christian art often differ greatly from later ones. The icons of later centuries can be linked, often closely, to images from the 5th century onwards, though very few of these survive. Widespread destruction of images occurred during the Byzantine Iconoclasm of 726–842, although this did settle permanently the question of the appropriateness of images. Since then, icons have had a great continuity of style and subject, far greater than in the icons of the Western church. At the same time there have been change and development.